Opus

metropolis elegy

and it is now, as it was then—a story

bleeding smoke from half-burned cigarettes

and rainbowed oil puddles that jaywalkers track

leisurely across the street as drivers slam on either

the horn or the brakes, and even aversion

is a kind of violence so you are not surprised

when the street swallows your next step and

the rats tag in red your name on the sewer walls,

and aren’t you grateful, that you too can now be a part

of this memory that they call forgetting?

Candace Williams

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